The October issue of Take Magazine fixes its lens on the weird, many-headed hydra that is the Providence noise scene.
Writer Phil Eil (formerly news editor of the much-missed Providence Phoenix, where I also cut my teeth) admits straight away that the multivalent topic “could be a book,” and that the “scene is complex and unclassifiable” — but “important to acknowledge.” [The piece is print-only, but Eil has written a colorful intro here.]
With only 2,400 words to pin down a multidisciplinary, slippery beast, he makes the canny decision to present discrete moments in time — snapshots in Technicolor.
I talked to Phil for the piece, and did my best to paint a picture of how the scene “was just a balance of chaos and community,” as AS220’s Dave Dvorchak puts it.