Elvis Perkins by Brian Blauser

Elvis Perkins: Persistence of Memory

Elvis Perkins returns to his old Providence stomping grounds on December 16 for a show at the West Side’s Columbus Theatre.

This year, he released I Aubade, his first record since 2009. He also created his first film score — for February, an atmospheric horror feature directed by his brother Osgood (his sometime drummer) + due out in early 2016.

I interviewed the wry + utterly charming Mr. Perkins shortly after the release of his debut, Ash Wednesday, for the much-missed Providence Phoenix. Here’s the interview in full.

Al Forno owners George Germon & Johanne Killeen

In Memoriam: George Germon, 1945-2015

“Providence has a great history, and the deeper you get into it, the more you love it.” –George Germon

Back in 2008, I was lucky enough to work near the future location of Tini’s, which was the much-buzzed about sequel of sorts to Al Forno, the restaurant that (almost single-handedly) put Providence on the culinary map.

Lightning Bolt at the Roundhouse, London, Spring 2015.

Taking On Providence’s Wunderground

The October issue of Take Magazine fixes its lens on the weird, many-headed hydra that is the Providence noise scene.

Writer Phil Eil (formerly news editor of the much-missed Providence Phoenix, where I also cut my teeth) admits straight away that the multivalent topic “could be a book,” and that the “scene is complex and unclassifiable — but important to acknowledge.” [The piece is print-only, but Eil has written a colorful intro here.]

With only 2,400 words to pin down a multidisciplinary, slippery beast, he makes the canny decision to present discrete moments in time — snapshots in Technicolor.

I talked to Phil for the piece, and did my best to paint a picture of how the scene “was just a balance of chaos and community,” as AS220’s Dave Dvorchak puts it.

Page 8 of 71

Powered by WordPress & Theme by Anders Norén