Vaughan Oliver retrospective exhibit at Lesley University, Sept-Oct, 2017
If I had to sum up the work of maverick graphic designer Vaughan Oliver in a single phrase, it would have to be “jolie laide” — drolly defined by literary critic Daphne Merkin as “a triumph of personality over physiognomy, the imposition of substance over surface.” (It can also be translated, roughly, into “beautiful ugly” — apropos, in this case.)