Tag: punk history

Clem Burke drink specials at the Bowery Palace, March 25, 2026.

Rock n’ Roll Heart: A Tribute to Blondie Drummer Clem Burke

The history of rock n’ roll is littered with broken hearts and betrayals. Less common are those who leave their music community better off than they found it. Clem Burke, who died last year after a cancer battle, was one of those rare birds: An indefatigable and soulful drummer who quietly, effortlessly, made it his mission to elevate and support his fellow musicians. And he didn’t do it to score points – he just did it.

Clem’s friends and comrades-in-arms put together a tribute to him this past week at Jesse Malin’s Bowery Palace, a two-night affair filled to the brim with great songs and stories of Clem’s humble largesse.  (The below is only applicable to Wednesday night, as Thursday sold out in five minutes flat.) Malin and Kathy Valentine of the Go-Go’s got out the old Rolodex and rounded up a who’s who of Clem’s tour mates and admirers to give him a proper Bowery send-off, from his Blondie bandmate Glen Matlock to Steve Wynn (Dream Syndicate), Gail Greenwood (Belly, L7, Gang of Four) and Tommy Stinson (Replacements).

Upstairs at the Palace, there were Clem-themed drink specials like the X-Offender (vodka, St. Germain, lemon juice, simple syrup and soda) and Empty Heart (a prosecco-and-strawberry vodka affair). The small downstairs space was crammed with well-wishers, fans, and musicians with their own fond memories of Clem.

Typical Girls + Unruly Women: The Story of the Slits

Slits documentary Q&A with Paloma McLardy (Palmolive) of the legendary bands the Slits & the Raincoats; journalist Jenn Pelly + author Rob Sheffield

Slits documentary Q&A with Paloma McLardy (Palmolive), Jenn Pelly + Rob Sheffield

I’m trying in vain to recall when I first heard the Slits. I am reasonably sure that I first heard OF them in Greil Marcus’ incredible book, “Lipstick Traces,” which weaves together iconoclastic moments in music, art, philosophy and history to create a kind of invisible history of the 20th century. (One of their first-ever recordings, “A Boring Life,” is featured on the book’s companion soundtrack, which is well worth tracking down if you can find it.)

When I DID finally hear them, I was not disappointed. In fact, the music quickly became essential to me, like air — in large part due to its fresh mix of rage, humor and incisive assessments of the way mainstream culture boxes women in.

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